Holy Week Procession 2013

La Pieta

The Pietà (Italian pronunciation: [pjeˈta]) is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus, most often found in sculpture. As such, it is a particular form of the Lamentation of Christ, a scene from the Passion of Christ found in cycles of the Life of Christ. When Christ and the Virgin are surrounded by other figures from the New Testament, the subject is strictly called a Lamentation in English, although Pietà is often used for this as well, and is the normal term in Italian. Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Stabat Mater (here stands the mother). The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist. The Pietà developed in Germany (where it is called the "Vesperbild") about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds. The Deposition of Christ and the Lamentation or Pietà form the 13th of the Stations of the Cross, as well as one of the Seven Sorrows of the Virgin. Although the Pietà most often shows the Virgin Mary holding Jesus, there are other compositions, including those where God the Father participates in holding Jesus (see gallery below). In Spain the Virgin often holds up one or both hands, sometimes with Christ's body slumped to the floor.

Saint Martha

Martha of Bethany (Aramaic מַרְתָּא Martâ) is a biblical figure described in the Gospels of Luke and John. Together with her siblings Lazarus and Mary, she is described as living in the village of Bethany near Jerusalem. She is the middle child of her family with Lazarus being the eldest and her sister Mary the youngest. She was witness to Jesus' resurrection of her brother, Lazarus. In Roman Catholic tradition, Martha's sister Mary was often equated with Mary Magdalene. Therefore, additional information is supposed for Martha as well: Mary, Martha, and Lazarus are represented by St. John as living at Bethania, but St. Luke would seem to imply that they were, at least at one time, living in Galilee; he does not mention the name of the town, but it may have been Magdala, and we should thus, supposing Mary of Bethania and Mary Magdalene to be the same person, understand the appellative "Magdalene". The words of St. John (11:1) seem to imply a change of residence for the family. It is possible, too, that St. Luke has displaced the incident referred to in Chapter 10. The likeness between the pictures of Martha presented by Luke and John is very remarkable. The familiar intercourse between the Saviour of the world and the humble family which St. Luke depicts is dwelt on by St. John when he tells us that "Jesus loved Martha, and her sister Mary, and Lazarus" (11:5). Again the picture of Martha's anxiety (John 11:20-21, 39) accords with the picture of her who was "busy about much serving" (Luke 10:40); so also in John 12:2: "They made him a supper there: and Martha served." But St. John has given us a glimpse of the other and deeper side of her character when he depicts her growing faith in Christ's Divinity (11:20-27), a faith which was the occasion of the words: "I am the resurrection and the life." The Evangelist has beautifully indicated the change that came over Martha after that interview: "When she had said these things, she went and called her sister Mary secretly, saying: The Master is come, and calleth for thee."

Agony in the Garden

The Agony in the Garden refers to the events in the life of Jesus as recorded in the New Testament, between the Farewell Discourse at the conclusion of the Last Supper and Jesus' arrest. According to all four Gospels, immediately after the Last Supper, Jesus took a walk to pray (John 18:1). Matthew and Mark identify this place of prayer as Gethsemane. Jesus was accompanied by the Apostles Peter, John and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where He felt overwhelming sadness and anguish, and said "My Father, if it is possible, let this cup pass me by. Nevertheless, let it be as you, not I, would have it." Then, a little while later, He said, "If this cup cannot pass by, but I must drink it, your will be done!" (Matthew 26:42). He said this prayer three times, checking on the three apostles between each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "his sweat was as it were great drops of blood falling down upon the ground".(Luke 22:44). In Roman Catholic tradition the Agony in the Garden is the first Sorrowful Mystery of the Rosary and the Second Station of the Scriptural Way of The Cross. Catholic tradition includes specific prayers and devotions as acts of reparation for the sufferings of Jesus during His Agony and Passion. These Acts of Reparation to Jesus Christ do not involve a petition for a living or dead beneficiary, but aim to repair the sins against Jesus. Some such prayers are provided in the Raccolta Catholic prayer book (approved by a Decree of 1854, and published by the Holy See in 1898) which also includes prayers as Acts of Reparation to the Virgin Mary. In his encyclical Miserentissimus Redemptor on reparations, Pope Pius XI called Acts of Reparation to Jesus Christ a duty for Catholics and referred to them as "some sort of compensation to be rendered for the injury" with respect to the sufferings of Jesus. Catholic tradition holds it that the sweating of blood was literal and not figurative.

Entry to Jerusalem

According to the Gospels, before entering Jerusalem, Jesus was staying at Bethany and Bethphage, and John 12:1 states that he was in Bethany six days before passover. While there, Jesus sent two disciples to the village over against them, in order to retrieve a donkey that had been tied up but never been ridden, and to say, if questioned, that the donkey was needed by the Lord (or Master) but would be returned. Jesus then rode the donkey into Jerusalem, with the three Synoptic gospels stating that the disciples had first put their cloaks on it, so as to make it more comfortable. In Mark and John the entry takes place on a Sunday, with Matthew and Luke not specifying the day. In Luke 19:41 as Jesus approaches Jerusalem, he looks at the city and weeps over it (an event known as Flevit super illam in Latin language), foretelling the suffering that awaits the city. The Gospels go on to recount how Jesus rode into Jerusalem, and how the people there lay down their cloaks in front of him, and also lay down small branches of trees. The people sang part of Psalm 118: 25-26: Blessed is He who comes in the name of the Lord. We bless you from the house of the Lord .... In the Synoptic Gospels, this episode is followed by the Cleansing of the Temple episode, and in all four Gospels Jesus performs various healings and teaches by way of parables while in Jerusalem, until the Last Supper. Traditionally, entering the city on a donkey symbolizes arrival in peace, rather than as a war waging king arriving on a horse.

Saint Andrew

Andrew the Apostle (Greek: Ἀνδρέας, Andreas; from the early 1st century – mid to late 1st century AD; known by some as Saint Andrew), called in the Orthodox tradition Prōtoklētos, or the First-called, is a Christian Apostle and the brother of Saint Peter. The name "Andrew" (Greek: manly, brave, from ἀνδρεία, Andreia, "manhood, valour"), like other Greek names, appears to have been common among the Jews, Christians, and other Hellenized people of the region. No Hebrew or Aramaic name is recorded for him. He is considered the founder and the first bishop of the Church of Byzantium and is consequently the patron saint of the Ecumenical Patriarchate of Constantinople. The New Testament states that Andrew was the brother of Simon Peter, by which it is inferred that he was likewise a son of John, or Jonah. He was born in Bethsaida on the Sea of Galilee. Both he and his brother Peter were fishermen by trade, hence the tradition that Jesus called them to be his disciples by saying that he will make them "fishers of men" (Greek: ἁλιεῖς ἀνθρώπων, halieĩs anthrōpōn). At the beginning of Jesus' public life, they were said to have occupied the same house at Capernaum. The Gospel of John states that Andrew was a disciple of John the Baptist, whose testimony first led him, and another unnamed disciple of John the Baptist to follow Jesus. Andrew at once recognized Jesus as the Messiah, and hastened to introduce him to his brother.Thenceforth, the two brothers were disciples of Christ. On a subsequent occasion, prior to the final call to the Apostolate, they were called to a closer companionship, and then they left all things to follow Jesus. In the gospels, Andrew is referred to as being present on some important occasions as one of the disciples more closely attached to Jesus, Andrew told Jesus about the boy with the loaves and fishes (John 6:8), with Philip told Jesus about the Greeks seeking Him, and was one of four (the others being Peter, James, and John) to hear Jesus' teaching about what would soon happen. Eusebius in his church history 3,1 quotes Origen as saying Andrew preached in Skythia. The Chronicle of Nestor adds that he preached along the Black Sea and the Dnieper river as far as Kiev, and from there he traveled to Novgorod. Hence he became a patron saint of Ukraine, Romania and Russia. According to tradition, he founded the See of Byzantium (Constantinople) in AD 38, installing Stachys as bishop. According to Hippolytus of Rome, he preached in Thrace, and his presence in Byzantium is also mentioned in the apocryphal Acts of Andrew, written in the 2nd century; Basil of Seleucia also knew of Apostle Andrew's mission in Thrace, as well as Scythia and Achaia. This diocese would later develop into the Patriarchate of Constantinople. Andrew is recognized as its patron saint. Andrew is said to have been martyred by crucifixion at the city of Patras (Patræ) in Achaea, on the northern coast of the Peloponnese. Early texts, such as the Acts of Andrew known to Gregory of Tours, describe Andrew as bound, not nailed, to a Latin cross of the kind on which Jesus is said to have been crucified; yet a tradition developed that Andrew had been crucified on a cross of the form called Crux decussata (X-shaped cross, or "saltire"), now commonly known as a "Saint Andrew's Cross" — supposedly at his own request, as he deemed himself unworthy to be crucified on the same type of cross as Jesus had been. "The familiar iconography of his martyrdom, showing the apostle bound to an X-shaped cross, does not seem to have been standardized before the later Middle Ages," Judith Calvert concluded after re-examining the materials studied by Louis Réau.

Saint Veronica

Saint Veronica or Berenice was a pious woman of Jerusalem. The "Acta Sanctorum" published by the Bollandists erroneously gave her Feast (under February 4), but the Jesuit Scholar Joseph Braun cited her commemoration in Festi Marianni on 13 January. Veronica was moved with pity when she saw Jesus carried his cross to Golgotha and gave him her veil that he might wipe his forehead. Jesus accepted the offering and after using it handed it back to her, the image of his face miraculously impressed upon it. The name "Veronica" itself is a Latinisation of Berenice (Greek: Βερενίκη), a Macedonian name, meaning "bearer of victory". Folk etymology has attributed its origin to the words for true (Latin: vera) and image (Greek: εικόνα). The Encyclopædia Britannica says this about the legend: Eusebius in his Historia Ecclesiastica (vii 18) tells how at Caesarea Philippi lived the woman whom Christ healed of an issue of blood (Matt ix 20). Legend was not long in providing the woman of the Gospel with a name. In the West she was identified with Martha of Bethany; in the East she was called Berenike, or Beronike, the name appearing in as early a work as the "Acta Pilati", the most ancient form of which goes back to the fourth century. It is interesting to note that the fanciful derivation of the name Veronica from the words Vera Icon (eikon) "true image" dates back to the "Otia Imperialia" (iii 25) of Gervase of Tilbury (fl. 1211), who says: "Est ergo Veronica pictura Domini vera." The Catholic Encyclopaedia of 1913 had this to say about the growth of the legend (translations in italics added): The belief in the existence of authentic images of Christ is connected with the old legend of King Abgar of Edessa and the apocryphal writing known as the "Mors Pilati" ("the Death of Pilate"). To distinguish at Rome the oldest and best known of these images it was called the vera icon (true image), which in the common tongue soon became "Veronica." It is thus designated in several medieval texts mentioned by the Bollandists (e.g. an old Missal of Augsburg has a Mass "De S. Veronica seu Vultus Domini") of ("Saint Veronica, or the Face of the Lord"), and Matthew of Westminster speaks of the imprint of the image of the Savior which is called Veronica: "Effigies Domenici vultus quae Veronica nuncupatur" ("effigy of the face of the Lord which is called a Veronica"). By degrees, popular imagination mistook this word for the name of a person and attached thereto several legends which vary according to the country. The reference to Abgar is related to a similar legend in Oriental traditions, the Image of Edessa.

Saint Mary Magdalene Version 2

Mary Magdalene (original Greek Μαρία ἡ Μαγδαληνή), or Mary of Magdala and sometimes The Magdalene, is a religious figure in Christianity. In the New Testament, Jesus cleansed her of "seven demons",[Lu 8:2] [Mk 16:9] sometimes interpreted as referring to complex illnesses. She became Jesus' close friend. She was most prominent during his last days. When Jesus was crucified by the Romans, Mary Magdalene was there supporting him in his final terrifying moments and mourning his death. She stayed with him at the cross after the male disciples (except John the Beloved) had fled. She was at his burial. In all four New Testament Gospels, Mary Magdalene is the first (either alone or with a group of women) to arrive at Jesus' tomb, where she encounters an angel (or a pair of angels) who instructs her to go tell the disciples that Jesus has risen. She was the first person to see Jesus after his Resurrection according to both John 20 and Mark 16:9. She was there at the "beginning of a movement that was going to transform the West". Mary was the "apostle to the apostles," an honorific that Augustine, one of the greatest orthodox theologians, actually gave her. Mary Magdalene's image has been tarnished through history by being linked with the unnamed sinner (commonly thought to have been a prostitute) in Luke 7:36-50. This identification stems from a homily given by Pope Gregory around the year 600, where he identified Magdalene not only with the anonymous sinner but also with Mary, the sister of Martha and Lazarus. However, the 14 times that Mary Magdalene is mentioned in the Gospels, never once is she identified as a prostitute or a sinner. Mary Magdalene is considered by the Catholic, Orthodox, Anglican, and Lutheran [ELCA only] churches to be a saint, with a feast day of July 22. The Eastern Orthodox churches also commemorate her on the Sunday of the Myrrhbearers, the Orthodox equivalent of the Western Three Marys.

Washing of the Feet

Maundy (from Latin Mandatum), or Washing of the Feet, is a religious rite observed as an ordinance by several Christian denominations. John 13:1–17 mentions Jesus performing this act. Specifically, in verses 13:14–17, He instructs them, 14 "If I then, your Lord and Teacher, have washed your feet, you also ought to wash one another’s feet." 15 "For I have given you an example, that you should do as I have done to you." 16 "Most assuredly, I say to you, a servant is not greater than his master; nor is he who is sent greater than he who sent him." 17 "If you know these things, blessed are you if you do them." As such, many denominations observe the washing of the feet on Maundy Thursday of Holy Week[1] Moreover, for some denominations, foot-washing was an example, a pattern. Many groups throughout Church history and many modern denominations have practiced foot washing as a church ordinance. The derivation of the word Maundy has at least two possibilities for the origin. 1) Through Middle English and Old French mandé, from Latin mandatum. 2) From the Latin mendicare, Old French mendier, and English maund, which means “to beg” (verb) or a “small basket” (noun) held out by maunders (beggars) as they maunded (begged). Christian denominations that observe foot washing do so on the basis of the authoritative example and command of Jesus as found in the Gospel of John 13:1–15: And before the feast of the passover, Jesus knowing that His hour hath come, that He may remove out of this world unto the Father, having loved His own who are in the world—to the end He loved them. And supper being come, the devil already having put it into the heart of Judas of Simon, Iscariot, that he may deliver Him up, Jesus, knowing that all things the Father hath given to Him—into His hands—and that from God He came forth, and unto God He goeth, doth rise from the supper, and doth lay down his garments, and having taken a towel, he girded himself; afterward he putteth water into the basin, and began to wash the feet of his disciples, and to wipe with the towel with which he was being girded. He cometh, therefore, unto Simon Peter, and that one saith to him, "Sir, thou—dost Thou wash my feet?" Jesus answered and said to him, "That which I do thou hast not known now, but thou shalt know after these things;" Peter saith to him, "Thou mayest not wash my feet—to the age." Jesus answered him, "If I may not wash thee, thou hast no part with me." Simon Peter saith to him, "Sir, not my feet only, but also the hands and the head." Jesus saith to him, "He who hath been bathed hath no need, save to wash his feet, for he is clean altogether; and ye are clean, but not all;" for He knew him who is delivering him up; because of this He said, "Ye are not all clean." When, therefore, He washed their feet, and took His garments, having reclined at meat again, He said to them, "Do ye know what I have done to you? Ye call me, 'The Teacher' and 'The Lord', and ye say well, for I am; if then I did wash your feet—the Lord and the Teacher—ye also ought to wash one another's feet. For I have given thee an example, that ye should do as I have done to ye. Verily, verily, I say unto ye, the servant is not greater than his lord; neither he that is sent greater than he that sent him. If ye know these things, happy are ye if ye do them." Jesus demonstrates the custom of the time when he comments on the lack of hospitality in one Pharisees home by not providing water to wash his feet: Then he turned toward the woman and said to Simon, "Do you see this woman? I came into your house. You did not give me any water for my feet, but she wet my feet with her tears and wiped them with her hair" – Luke 7:44

Scourging at the Pillar

The Flagellation of Christ, sometimes known as Christ at the Column or the Scourging at the Pillar, is a scene from the Passion of Christ very frequently shown in Christian art, in cycles of the Passion or the larger subject of the Life of Christ. It is the fourth station of the modern alternate Stations of the Cross, and a Sorrowful Mystery of the Rosary. The column to which Christ is normally tied, and the rope, scourge, whip or birch are elements in the Arma Christi.The Basilica di Santa Prassede in Rome, claimed to possess the original column. The event is mentioned in three of the four canonical Gospels, and was the usual prelude to crucifixion under Roman law. In the Passion of Christ it precedes the Mocking of Christ and the Crowning with thorns. It first appears in art in the West in the 9th century. It is almost never found in Byzantine art, and remains very rare in Eastern Orthodox art at any date. Initially found in illuminated manuscripts and small ivories, there are surviving monumental wall-paintings from around 1000 in Italy. From the start there are most often three figures, Christ and two servants of Pontius Pilate who whip him. In early depictions Christ may be naked, or wearing a long robe, facing out or seen from behind; from the 12th century it is standard that Christ wears a loincloth and faces out towards the viewer. Pontius Pilate is sometimes shown watching the scene, and his wife's servant may approach him with her message, and in the later Middle Ages, probably under the influence of Passion plays, the number of men beating Christ may be three or four, increasingly caricatured in the North as grotesque figures in the dress of contemporary mercenaries.Sometimes another figure, who may be Herod, is present. The Flagellation was at the hands of those working for Pontius Pilate, but the floggers may sometimes wear Jewish hats,Following the Maestá of Duccio, the scene may take place in public, before an audience of the Jewish people. The Franciscans, who promoted self-flagellation as a means of identification with the suffering of Christ, were probably responsible for a number of large Italian processional crosses in which the Flagellation occupies the back of the cross, with a Crucifixion on the front. These were presumably sometimes followed in processions by flagellants, who could see Christ suffering in front of them. From the 15th century the subject is also painted in individual works, rather than as one of a series of Passion scenes. At the same time Christ at the Column or Christ at the Stake developed as an image of Christ alone tied to a column or stake. This was most popular in Baroque sculpture, and also related to the subject, not found in the canonical Gospels, of Christ in the Dungeon. It is often difficult to distinguish between these two, and between Christ at the Column and a Flagellation.

Saint Peter

Saint Peter, also known as Simon Peter, was an early Christian leader and one of the twelve apostles of Jesus, according to the New Testament and Christian tradition. Peter is featured prominently in the New Testament Gospels and the Acts of the Apostles and is venerated as a saint by the Catholic Church, the Eastern Orthodox Church, and Oriental Orthodoxy.[2] The son of John[Jn. 1:42] or of Jonah or Jona, he was from the village of Bethsaida in the province of Galilee or Gaulanitis. His brother Andrew was also an apostle. Peter is venerated in multiple churches and is regarded as the Catholic Church's first pope. He is credited with establishing the church in Antioch and presiding for seven years as the leader of that city's Christian community. Either in person or via epistle, his words reached Pontus, Galatia, Cappadocia, Asia Minor and Bithynia where they were received by scattered communities of believers: Jews, Hebrew Christians and gentiles. He then went to Rome where in the second year of Claudius, it is claimed, he overthrew Simon Magus[6] and held the Sacerdotal Chair for 25 years. Two general epistles are ascribed to Peter. The Gospel of Mark was traditionally thought to show the influence of Peter's preaching and eyewitness memories. Several other books bearing his name—the Acts of Peter, Gospel of Peter, Preaching of Peter, Apocalypse of Peter, and Judgment of Peter—are rejected by the Catholic Church as apocryphal. According to New Testament accounts, Peter was one of twelve apostles chosen by Jesus from his first disciples. Originally a fisherman, he was assigned a leadership role and was with Jesus during events witnessed by only a few apostles, such as the Transfiguration. According to the New Testament, Peter confessed Jesus as the Messiah, was part of Jesus' inner circle, walked on water, witnessed Jesus' transfiguration, denied Jesus, was restored by Jesus, and preached on the day of Pentecost. Peter is said to have been crucified under Emperor Nero Augustus Caesar. It is traditionally held that he was crucified upside down at his own request, since he saw himself unworthy to be crucified in the same way as Jesus Christ. Catholic tradition holds that Saint Peter's site of crucifixion is located in the Clementine Chapel, while his mortal bones and remains are contained in the underground Confessio of St. Peter's Basilica, where Pope Paul VI announced the excavated discovery of a first-century Roman cemetery in 1968. Every June 29 since 1969, a statue of Saint Peter has been crowned in St. Peter's Basilica with a papal tiara, ring of the fisherman, and papal vestments, as part of the Feast of Saints Peter and Paul.

Mater Dolorosa

Our Lady of Sorrows (Latin: Beata Maria Virgo Perdolens), the Sorrowful Mother or Mother of Sorrows (Latin: Mater Dolorosa, at times just Dolorosa), and Our Lady of the Seven Sorrows or Our Lady of the Seven Dolours are names by which the Blessed Virgin Mary is referred to in relation to sorrows in her life. As Mater Dolorosa, it is also a key subject for Marian art in the Catholic Church. The Seven Sorrows of Mary are a popular Roman Catholic devotion. There are devotional prayers which consist of meditation on her Seven Sorrows. Examples include the Servite rosary, or the Chaplet of the Seven Sorrows of Our Lady and the Seven Joys of Mary. The term "Sorrowful and Immaculate Heart of Mary" refers to the combined devotion of both the Immaculate Heart and the Seven Sorrows of Mary as first used by the Franciscan Tertiary Berthe Petit. Our Lady of Sorrows, depicted as "Mater Dolorosa" (Mother of Sorrows) has been the subject of some key works of Roman Catholic Marian art. Mater Dolorosa is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Stabat Mater (stood the mother) and Pietà. In this iconography, Our Lady of Seven Sorrows is at times simply represented in a sad and anguished mode by herself, her expression being that of tears and sadness. In other representations the Virgin Mary is depicted with seven swords in her heart, a reference to the prophecy of Simeon at the Presentation.

Jesus of Nazareth

Christ Carrying the Cross on his way to his crucifixion is an episode included in all four Gospels, and a very common subject in art, especially in the fourteen Stations of the Cross, sets of which are now found in almost all Catholic churches. But the subject occurs in many other contexts, including single works and cycles of the Life of Christ or the Passion of Christ. Alternative names include the Procession to Calvary, Road to Calvary and Way to Calvary, Calvary or Golgotha being the site of the crucifixion outside Jerusalem. The actual route taken is defined as the Via Dolorosa in Jerusalem, although the specific path has varied over the centuries and continues to be the subject of debate. The episode is mentioned, without much detail, in all the canonical Gospels: Matthew 27:31–33, Mark 15:20–22, Luke 23:26–32 and John 19:16–18, and all but John include Simon of Cyrene, who was recruited by the soldiers to help carry the cross. Modern scholars, following descriptions of criminals carrying crossbars by Plautus and Plutarch, often take the Gospel description as meaning Jesus, then Simon, carried only a heavy patibulum, the crossbar, to a pole, stipes, which was permanently driven into the ground at Golgotha. However in Christian imagery Jesus, and Simon, carry the complete cross—both patibulum and stipes. Only Luke mentions the "women of Jerusalem", who were in later patristic writings and Christian art taken to include the Three Marys and the Virgin Mary. This meeting was usually located at the city gates, as in the painting illustrated, which is also typical in following Luke and showing Jesus turning his head to speak to them. The other episodes were later elaborations, with the Veil of Veronica appearing from the 13th century, and the falls of Christ, eventually three, first found in the Late Middle Ages. Luke mentions that the two thieves were also in the group walking out to Golgotha, but does not say that they had to carry their crosses, and though they may be identifiable among the walking figures, their crosses are very rarely anywhere to be seen in depictions of the group. Some works, like Raphael's Il Spasimo, Bruegel's Vienna Procession (see below for both), and the London Jacopo Bassano, have the thieves' two crosses already set up at the place of execution in the distant background. Also of relevance is Matthew 16:24, with which St Francis of Assisi began his first Rule of 1221: "Then Jesus said to his disciples, “Whoever wants to be my disciple must deny themselves and take up their cross and follow me". St Francis also used to be led with a cord around his neck as a pentiential exercise, the cord being a detail added to many depictions of the episode from two Old Testament passages. These are Isaiah 53:7: "He was oppressed and afflicted, yet he did not open his mouth; he was led like a lamb to the slaughter, and as a sheep before its shearers is silent, so he did not open his mouth" and Jeremiah 11:19 "I had been like a gentle lamb led to the slaughter...", both of which were very frequently cited by medieval commentaries. In medieval typology, Isaac carrying wood up the mountain for his sacrifice is the most common parallel for the episode, and often shown as a complementary scene; this scene is "Isaac Bearing the Faggots" (or "wood") in traditional art history terminology.

Saint John

John the Evangelist (יוחנן Standard Hebrew Yoḥanan, Tiberian Hebrew Yôḥānān meaning "Yahweh is gracious", Greek: Εὐαγγελιστής Ἰωάννης) (c. AD 1 – c. 100)[citation needed][dubious – discuss] is the conventional name for the author of the Gospel of John. Traditionally he has been identified with the author of the other Johannine works in the New Testament—the three Epistles of John and the Book of Revelation, written by a John of Patmos—as well as with John the Apostle and the Beloved Disciple mentioned in the Gospel of John. However, at least some of these connections have been debated since about 200. The Gospel of John refers to an unnamed "Beloved Disciple" of Jesus who bore witness to the gospel's message.The composer of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity. The apostle John was a historical figure, one of the "pillars" of the Jerusalem church after Jesus' death. Some scholars believe that John was martyred along with his brother (Acts 12:1-2), although many other scholars doubt this.Harris believes that the tradition that John lived to old age in Ephesus developed in the late 2nd century, although the tradition does appear in the last chapter of the gospel, though this debatable tradition assumes that John the Evangelist, John the Apostle, the Beloved Disciple mentioned in John 21 and sometimes also John the Presbyter are the same person. By the late 2nd century, the tradition was held by most Christians. According to a tradition mentioned by St. Jerome, in the second general persecution, in the year 95, St. John was apprehended by the proconsul of Asia and sent to Rome, where he was miraculously preserved from death when thrown into a cauldron of boiling oil. On account of this trial, the title of martyr is given him by the fathers. The tyrant Domitian banished St. John into the isle of Patmos. It was during this period that John experienced those heavenly visions which he recorded in the book of the Revelations in the year 96. Upon the death of Domitian John returned to Ephesus in 97. According to Alban Butler, some think he wrote his gospel in the isle of Patmos; but it is the more general opinion that he composed it after his return to Ephesus, about the year 98. St. John died in peace at Ephesus, in the third year of Trajan (as seems to be gathered from Eusebius's chronicle), that is, the year 100, the saint being then about ninety-four years old, according to St. Epiphanius and was buried on a mountain without the town.

Saint Filomena

Saint Nicodemus

Saint Nicodemus was a Pharisee and a member of the Sanhedrin, who, according to the Gospel of John, showed favour to Jesus. He appears three times: the first is when he visits Jesus one night to listen to his teachings (John 3:1–21); the second is when he states the law concerning the arrest of Jesus during the Feast of Unleavened Bread (John 7:45–51); and the last follows the Crucifixion, when he assists Joseph of Arimathea in preparing the corpse of Jesus for burial (John 19:39–42). The discussion with Jesus is the source of several common expressions of contemporary Christianity, specifically, the descriptive phrase born again used to describe the experience of believing in Jesus as Saviour, and John 3:16, a commonly quoted verse used to describe God's plan of salvation. An apocryphal work under his name — the Gospel of Nicodemus — was produced the mid-4th century, and is mostly a reworking of the earlier Acts of Pilate, which recounts the harrowing of Hell. Though there is no clear source of information about this Nicodemus outside the Gospel of John, the Jewish Encyclopedia and many Biblical historians have theorized that he is identical to Nicodemus ben Gurion, mentioned in the Talmud as a wealthy and popular holy man reputed to have had miraculous powers. Christian tradition asserts that Nicodemus was martyred sometime in the 1st century.

Saint Veronica

Saint Veronica or Berenice was a pious woman of Jerusalem. The "Acta Sanctorum" published by the Bollandists erroneously gave her Feast (under February 4), but the Jesuit Scholar Joseph Braun cited her commemoration in Festi Marianni on 13 January. Veronica was moved with pity when she saw Jesus carried his cross to Golgotha and gave him her veil that he might wipe his forehead. Jesus accepted the offering and after using it handed it back to her, the image of his face miraculously impressed upon it. There is no reference to the story of St Veronica and her veil in the canonical Gospels.She is known as the woman who wiped Jesus' face with her veil.Then the image of Jesus' face appeared on it. The closest is the miracle of the woman who was healed by touching the hem of Jesus’ garment (Luke 8:43–48); her name is later identified as Veronica by the apocryphal "Acts of Pilate". The story was later elaborated in the 11th century by adding that Christ gave her a portrait of himself on a cloth, with which she later cured the Emperor Tiberius. The linking of this with the bearing of the cross in the Passion, and the miraculous appearance of the image only occurs around 1380, in the internationally popular book Meditations on the life of Christ. The story of Veronica is celebrated in the sixth Station of the Cross. …According to the Catholic Encyclopedia, the name "Veronica" comes from the Latin vera, meaning "true" or "Truthful", and the Greek eikon, meaning "image"; the Veil of Veronica was therefore largely regarded in medieval times as the "true image", the truthful representation of Jesus, preceding the Shroud of Turin. Albrecht Dürer's 1513 Veronica (as he called it in his diary); its heraldic presentation with matched angelic supporters emphasizes the startling realism of the image. Saint Veronica was mentioned in the reported visions of Jesus by Sister Marie of St Peter, a Carmelite nun who lived in Tours, France, and started the devotion to the Holy Face of Jesus. In 1844, Sister Marie reported that in a vision, she saw Saint Veronica wiping away the spit and mud from the face of Jesus with her veil on the way to Calvary. She said that sacrilegious and blasphemous acts today are adding to the spit and mud that Saint Veronica wiped away that day. According to Sr Marie of St Peter, in her visions Jesus told her that He desired devotion to His Holy Face in reparation for sacrilege and blasphemy. Acts of Reparation to Jesus Christ are thus compared to Saint Veronica wiping the face of Jesus. The Devotion to the Holy Face of Jesus was eventually approved by Pope Leo XIII in 1885. St Veronica is commemorated on 12 July.

Saint Salome

Salome (Hebrew, "שלומית", "Shelomit"), was a follower of Jesus who appears briefly in the canonical gospels and in more detail in apocryphal writings. She is sometimes identified as the wife of Zebedee, the mother of James and John, two of the Apostles of Jesus, and sometimes also as the sister of Mary, mother of Jesus. In Roman Catholic tradition Salome is identified with Mary, mother of James and counted as Mary Salome among the Three Marys. In Mark 15:40, Salome is named as one of the women present at the crucifixion: "There were also women looking on afar off: among whom was Mary Magdalene, and Mary the mother of James the less and of Joses, and Salome". The parallel passage of Matthew (27:56) reads thus: "Among which was Mary Magdalene, and Mary the mother of James and Joses, and the mother of Zebedee's children." The Catholic Encyclopedia (1913) concludes that the Salome of Mark 15:40 is probably identical with the mother of the sons of Zebedee in Matthew; the latter is also mentioned in Matthew 20:20, in which she petitions Jesus to let her sons sit with him in Paradise. In John, three or perhaps four women are mentioned at the crucifixion; this time they are named as "his [Jesus'] mother, and his mother's sister, Mary the wife of Cleophas, and Mary Magdalene." A common interpretation is to identify Salome as the sister-in-law of Jesus' mother, thus making her Jesus' aunt. Traditional interpretations associate Mary wife of Clophas (the third woman in the Gospel of John) with Mary the mother of James son of Alphaeus (the third woman in the Gospel of Matthew). In the Gospel of Mark, Salome is among the women who went to Jesus' tomb to anoint his body with spices. They discovered that the stone had been rolled away, and a figure in white then told them that Jesus had risen, and asked them to tell Jesus' disciples that he would meet them in Galilee. In Matthew, just two women are mentioned in the same story: Mary Magdalene and the "other Mary" - Mary the mother of James son of Alphaeus. The canonical gospels never go so far as to label Salome a "disciple" ("pupil" mathētēs), and so mainstream Christian writers usually describe her as a "follower" of Jesus per references to the women who "followed" and "ministered" to Jesus (Mk 15:41).